Théo Hennequin

Théo Hennequin is a Brussels-based graphic designer and visual artist with a conceptually driven practice spanning culture, music and sport. He collaborates with institutions, artists, festivals and collectives, from major museums to independent structures, to articulate distinctive positions across print, digital and motion.

His practice is rooted in the circulation of images and forms between swiss rigour, experimental layering and popular cultures, from the football stand to the mountain trail, using the distance between them as a space for inquiry.


Services

Visual identity: Creation of cohesive and distinctive visual identity systems — logos, brand guidelines, posters, and print and digital applications.
Editorial design: Content layout and reflection on the physical form — books, catalogues, magazines, zines.
Motion design: Bringing images and identities to life — motion design, teasers, animated posters, projected visuals.
Web design: Custom website design, tailored to the project’s identity — portfolios, festivals, galleries, collective platforms.
Typeface design: Bespoke lettering design — brand fonts, display typefaces, lettering.

Commission

Please contact me so that I can put my skills to work for you.

Collaboration

Currently available on a freelance basis for collaborations.

Contact

hello@theohennequin.com
@theohennequin
Rue Jacques de Lalaing 13, 1040 Brussels

Selected clients

Affenpinshers, Africa Museum, Argos, Entwined, Harlem Lamine, Johan Poezevara, La Bellone, Les Chantiers Battus, Les Îles Mardi, Musique Action Chaumont, Palais de Tokyo, Traumnovelle, Toestand...

About

Johan Poezevara

2026, Brussels

Client: Johan Poezevara
Font: Version C (Pizza Typesfaces, Adrien Midzic & Laurène Girbal)

Johan Poezevara is a Brussels-based photographer who documents the work of artists and institutions: press portraits, exhibition views, objects, lookbooks, press kits.

The portfolio is designed to be leafed through like a photography book. Each image sits in a white frame, like a print, and widely spaced vertical italic captions run along the margins with their numbering, like folios. The text takes part in the drawing: justified with large gaps between words, it creates breathing space that leaves room for the images. The photographer’s name, set in very large type, is cropped by the edge of the screen and contrasts with these tiny notes. The typography (Version C) sets the rhythm of the whole and keeps the photography in the foreground.

Narrow pages from the portfolio arranged side by side in vertical strips, each featuring a photograph (a desk and headphones, grass and earth, black boots, a dog, a cloudy sky) and widely spaced captions in italics; on the right, a page showing two photographs of a white, rounded sculpture being handled by a person dressed in black
Two pages from the portfolio. At the top, the home page: contact details, an introduction to Johan Poezevara, a Brussels-based documentary photographer, a portrait of a man in a blue shirt in a white studio, and his name in very large type, cropped at the edge. Below that, a page of set design documentation: a plastic crate topped with a turquoise slab, and across the whole page, a detailed view of the undulating texture of this material, speckled with turquoise and orange.
Two pages from the portfolio. At the top, two photographs from the Les Aralunaires festival: a person crouching in a blue and white checked suit, seen from behind, and another person holding a large black festival sign. At the bottom, two press kit photographs against a white background: a black jacket hanging on a hanger and a person dressed in black, standing with legs apart, wearing red socks
Visual documentation page dedicated to Jules Bouchier-Végis: a portrait of a laughing man, wearing a black T-shirt, in a bright room with white curtains, surrounded by plastic packaging and a piece of yellow wood. On the right, a yellow wooden bench with wavy cut-outs and a brown fabric seat, followed by a close-up of this fabric

Laboratoire de surveillance - football & supporterisme