Théo Hennequin is a Brussels-based graphic designer and visual artist with a conceptually driven practice spanning culture, music and sport. He collaborates with institutions, artists, festivals and collectives, from major museums to independent structures, to articulate distinctive positions across print, digital and motion.
His practice is rooted in the circulation of images and forms between swiss rigour, experimental layering and popular cultures, from the football stand to the mountain trail, using the distance between them as a space for inquiry.
Visual identity, editorial design, motion design, web design, typeface design
Please contact me so that I can put my skills to work for you.
Currently available on a freelance basis for collaborations.
hello@theohennequin.com
@theohennequin
Rue Jacques de Lalaing 13, 1040 Brussels
Affenpinshers, Africa Museum, Argos, Entwined, Harlem Lamine, Johan Poezevara, La Bellone, Les Chantiers Battus, Les Îles Mardi, Musique Action Chaumont, Palais de Tokyo, Traumnovelle, Toestand...
Théo Hennequin is a Brussels-based graphic designer and visual artist with a conceptually driven practice spanning culture, music and sport. He collaborates with institutions, artists, festivals and collectives, from major museums to independent structures, to articulate distinctive positions across print, digital and motion.
His practice is rooted in the circulation of images and forms between swiss rigour, experimental layering and popular cultures, from the football stand to the mountain trail, using the distance between them as a space for inquiry.
Visual identity, editorial design, motion design, web design, typeface design
Please contact me so that I can put my skills to work for you.
Currently available on a freelance basis for collaborations.
hello@theohennequin.com
@theohennequin
Rue Jacques de Lalaing 13, 1040 Brussels
Affenpinshers, Africa Museum, Argos, Entwined, Harlem Lamine, Johan Poezevara, La Bellone, Les Chantiers Battus, Les Îles Mardi, Musique Action Chaumont, Palais de Tokyo, Traumnovelle, Toestand...
2021
Font: Woodland (Pangram Pangram - Mat Desjardins)
The Exposition Internationale Invisible questions the visibility and invisibility of art through a main piece: a scale model of the empty gallery, a mise en abyme.
The visual identity of the exhibition takes up the curtain motif, a symbol of what slips from view. It is accompanied by a catalogue that extends the exhibition’s argument through texts and essays on the void, particularly in art.