Théo Hennequin

Théo Hennequin is a Brussels-based graphic designer and visual artist with a conceptually driven practice spanning culture, music and sport. He collaborates with institutions, artists, festivals and collectives, from major museums to independent structures, to articulate distinctive positions across print, digital and motion.

His practice is rooted in the circulation of images and forms between swiss rigour, experimental layering and popular cultures, from the football stand to the mountain trail, using the distance between them as a space for inquiry.


Services

Visual identity: Creation of cohesive and distinctive visual identity systems — logos, brand guidelines, posters, and print and digital applications.
Editorial design: Content layout and reflection on the physical form — books, catalogues, magazines, zines.
Motion design: Bringing images and identities to life — motion design, teasers, animated posters, projected visuals.
Web design: Custom website design, tailored to the project’s identity — portfolios, festivals, galleries, collective platforms.
Typeface design: Bespoke lettering design — brand fonts, display typefaces, lettering.

Commission

Please contact me so that I can put my skills to work for you.

Collaboration

Currently available on a freelance basis for collaborations.

Contact

hello@theohennequin.com
@theohennequin
Rue Jacques de Lalaing 13, 1040 Brussels

Selected clients

Affenpinshers, Africa Museum, Argos, Entwined, Harlem Lamine, Johan Poezevara, La Bellone, Les Chantiers Battus, Les Îles Mardi, Musique Action Chaumont, Palais de Tokyo, Traumnovelle, Toestand...

About

Chèr.es Artistes

2025, Brussels

Client: 3ème vague
Collaborator: Laurent Mbaah (graphic design)
Font: Version C (Pizzatypefaces - Adrien Midzic and Laurène Girbal)
Photographies: Johan Poezevara

Two hands are holding the book *Chèr.es artistes* (3rd wave, La Bellone): a white cover adorned with a large red spiral pictogram, the edge marked with small symbols; around it, other blurred red pictograms on a white background

Chèr.es artistes is the trace of fifteen interviews with dramaturge artists, to invite them to share their intimate and political concerns. The interviews are organised around questions at the heart of the collective: working conditions, professional difficulties, relationships to institutions, but also joys and anger.

The identity composes an alphabet of fifteen signs: each artist has their own pictogram, which becomes their signature in the book. Gathered in a single graphic family, these signs convey the plurality of practices while keeping the collective form of the project. The typography lets the speech itself be read. The name of each speaker is set small before their line, and the type weight conveys the tone and volume of the voice: the stroke thickens when speech asserts itself and lightens when it softens. The typographic grey thus evolves over the course of the exchange, like a sound trace of the interview. Along the page edges, red markers line up to form a stepped pattern on the fore-edge of the closed book.

Six photographs from the flipbook: the contents page, where each artist has their own red pictogram; the opening of Rachel Cholz’s chapter, featuring her white symbol on a red page; a monochrome red image of microphones and cups on a tray; interview pages with red markings on the spine; and a page of introductory text
A double-page spread from an interview with Némo Camus: red text on a white background, with each interviewee’s name in small print above their reply, the font weight varying to reflect the tone of voice, and red, staircase-like markers along the edges of the pages

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