Théo Hennequin

Théo Hennequin is a Brussels-based graphic designer and visual artist with a conceptually driven practice spanning culture, music and sport. He collaborates with institutions, artists, festivals and collectives, from major museums to independent structures, to articulate distinctive positions across print, digital and motion.

His practice is rooted in the circulation of images and forms between swiss rigour, experimental layering and popular cultures, from the football stand to the mountain trail, using the distance between them as a space for inquiry.


Services

Visual identity: Creation of cohesive and distinctive visual identity systems — logos, brand guidelines, posters, and print and digital applications.
Editorial design: Content layout and reflection on the physical form — books, catalogues, magazines, zines.
Motion design: Bringing images and identities to life — motion design, teasers, animated posters, projected visuals.
Web design: Custom website design, tailored to the project’s identity — portfolios, festivals, galleries, collective platforms.
Typeface design: Bespoke lettering design — brand fonts, display typefaces, lettering.

Commission

Please contact me so that I can put my skills to work for you.

Collaboration

Currently available on a freelance basis for collaborations.

Contact

hello@theohennequin.com
@theohennequin
Rue Jacques de Lalaing 13, 1040 Brussels

Selected clients

Affenpinshers, Africa Museum, Argos, Entwined, Harlem Lamine, Johan Poezevara, La Bellone, Les Chantiers Battus, Les Îles Mardi, Musique Action Chaumont, Palais de Tokyo, Traumnovelle, Toestand...

About

Vitamines B*

april 2025 - april 2026, Brussels

Client: La Bellone
Collaborator: Laurent Mbaah (graphic design and web development)
Fonts: Amie B (Laurent Mbaah and Théo Hennequin), Amiamie (Bye Bye Binary - Mirat Masson and al.)

Poster for ‘Vitamines B*’, 3rd wave, 22–25 April 2025 at La Bellone: list of guest artists in orange capital letters on pale yellow bands, overlapping letters bristling with fine rays, against a light background streaked with radiating lines

2025 edition

Vitamines B* is La Bellone’s performing arts festival, in Brussels. For its 2025 edition, it offers a tonic: a high point of encounters and artistic experiments that condenses the living processes the organisation sets in motion all year round.

The identity is built on a custom-drawn display typeface, which gives the festival its distinctive character. Its hybrid, interconnected letterforms overlap, merge in pairs and throw out fine rays, like sparks or vibrations of the voice. They give form to orality, in the spirit of artistic proposals made of speech, encounters and trials. These bursts run through all the communication. The identity is rolled out across a poster, window displays and a website where each day of the programme becomes a highlighted tab.

The poster for the 2025 edition, framed in black, resting on the floor against a red velvet armchair in a dark room through which a ray of light shines
2025 Identity Sheet: four colours named with their codes (Light Westar, Dark Westar, Pale Yellow Dolly, International Orange) and, on the right, the phrase ‘Amie B for Vitamins B’ and the custom-designed typeface, featuring fused, radiant letters
Two photographs of a website displayed on a smartphone (left) and on a laptop (right): the ‘3rd wave’ page, with its orange title featuring rays, the text inviting people to the launch drinks reception on Tuesday 22 April, and the days of the week shown as tabs highlighted in yellow
A laptop sitting on a wooden table, displaying the festival website’s homepage: the title ‘Vitamines B*’ in large, radiant orange letters, with an introduction to the programme and the daily schedule in yellow tabs; behind it, the framed poster against a weathered wall
Three photographs from the 2025 edition at La Bellone: on the left and in the centre, the façade, whose windows feature large orange letters, radiant white shapes, the list of artists and the dates 22–25 April 2025, with people chatting in front of it; on the right, two men sitting inside, leafing through a book next to a bouquet of flowers

2026 edition

The third edition of Vitamines B*, at La Bellone, invites people to inhabit the house as an open space: you come in with your gestures, your know-how and your doubts, and the encounter becomes raw material. Four days of workshops, installations, performances and conversations, where experience becomes a pretext for transmission.

The identity builds on that of 2025 without repeating it. It keeps the custom display typeface and enriches it with new forms, inherited from the notions of flash, link, handover and collectivity. The letters no longer throw out rays: they are cut into arcs and dotted strokes, which fine looping threads connect from one letter to the next, while some characters turn into parentheses.

2026 Identity Board: four colours named with their codes (Iceberg, Jungle mist, Lavender pink, Persian green) and, on the right, the phrase ‘Amie B for Vitamines B’ and the alphabet in the bespoke typeface, with letters cut into arcs and linked by threads
Pages from the 2026 edition’s website, arranged in vertical strips against a mint-green background, featuring the title ‘Vitamines B*’, the introductory text and the profiles of Écarlate la Cie and Prisca Ratovonasy, adorned with large pink shapes; two stickers are affixed to them: a round one reading ‘Vitamines B 2026’ and a green one bearing the logo
On the left, the window display at La Bellone covered in pink and green stickers: ‘A highlight of artistic encounters and experimentation’, dates from 21 to 24 April 2026 and a list of artists. On the right, six photographs tinted red, blue and pink: performances, a public discussion, spectators in a cloud of smoke, two people in a lit room, hands on a keyboard
A printed programme folded into four panels in shades of pink and mint green: a cover featuring ‘Vitamins B*’, a page entitled ‘Ouverture – Sober opening’ by Mathilde Matt Maillard, a programme for 21 and 22 April listing the activities for each day, and a page dedicated to Désirée 0100 & oumaima

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