Théo Hennequin is a Brussels-based graphic designer and visual artist with a conceptually driven practice spanning culture, music and sport. He collaborates with institutions, artists, festivals and collectives, from major museums to independent structures, to articulate distinctive positions across print, digital and motion.
His practice is rooted in the circulation of images and forms between swiss rigour, experimental layering and popular cultures, from the football stand to the mountain trail, using the distance between them as a space for inquiry.
Visual identity, editorial design, motion design, web design, typeface design
Please contact me so that I can put my skills to work for you.
Currently available on a freelance basis for collaborations.
hello@theohennequin.com
@theohennequin
Rue Jacques de Lalaing 13, 1040 Brussels
Affenpinshers, Africa Museum, Argos, Entwined, Harlem Lamine, Johan Poezevara, La Bellone, Les Chantiers Battus, Les Îles Mardi, Musique Action Chaumont, Palais de Tokyo, Traumnovelle, Toestand...
Théo Hennequin is a Brussels-based graphic designer and visual artist with a conceptually driven practice spanning culture, music and sport. He collaborates with institutions, artists, festivals and collectives, from major museums to independent structures, to articulate distinctive positions across print, digital and motion.
His practice is rooted in the circulation of images and forms between swiss rigour, experimental layering and popular cultures, from the football stand to the mountain trail, using the distance between them as a space for inquiry.
Visual identity, editorial design, motion design, web design, typeface design
Please contact me so that I can put my skills to work for you.
Currently available on a freelance basis for collaborations.
hello@theohennequin.com
@theohennequin
Rue Jacques de Lalaing 13, 1040 Brussels
Affenpinshers, Africa Museum, Argos, Entwined, Harlem Lamine, Johan Poezevara, La Bellone, Les Chantiers Battus, Les Îles Mardi, Musique Action Chaumont, Palais de Tokyo, Traumnovelle, Toestand...
2021
Font: Helvetica (Max Miedinger)
Fantasme & appropriation is a publication that explores how our visual references influence creativity. Drawing inspiration from Cécile Dazord’s text Photographic Practice and Appropriationist Strategies, the book deconstructs, reframes and recombines photographs of exhibitions and everyday surroundings to create new images.
Each visual becomes material and a sensory experience, transforming the act of appropriation into a creative process. The printed object, in black and silver, halfway between an artist’s book and an exhibition catalogue, makes the print a medium in its own right, where the work extends and reinvents itself, suggesting an infinite cycle of fantasising and visual transformation.