Théo Hennequin

Théo Hennequin is a Brussels-based graphic designer and visual artist with a conceptually driven practice spanning culture, music and sport. He collaborates with institutions, artists, festivals and collectives, from major museums to independent structures, to articulate distinctive positions across print, digital and motion.

His practice is rooted in the circulation of images and forms between swiss rigour, experimental layering and popular cultures, from the football stand to the mountain trail, using the distance between them as a space for inquiry.


Services

Visual identity, editorial design, motion design, web design, typeface design

Commission

Please contact me so that I can put my skills to work for you.

Collaboration

Currently available on a freelance basis for collaborations.

Contact

hello@theohennequin.com
@theohennequin
Rue Jacques de Lalaing 13, 1040 Brussels

Selected clients

Affenpinshers, Africa Museum, Argos, Entwined, Harlem Lamine, Johan Poezevara, La Bellone, Les Chantiers Battus, Les Îles Mardi, Musique Action Chaumont, Palais de Tokyo, Traumnovelle, Toestand...

About

Dissonance

2026

Dissonance explores the duality between the tranquillity of nature and the hustle and bustle of man-made events, set against a mountain backdrop with Chamonix-Mont-Blanc at its heart.

Long associated with winter, the mountains have, in recent years, become a popular summer destination. A desire for nature, the pursuit of wellbeing through sport, the influence of social media and influencers, and climate change: all these factors contribute to the overcrowding of the Arve Valley and Chamonix, particularly during the UTMB (Ultra-Trail du Mont-Blanc). This overcrowding – both in terms of people and visual clutter – is fuelled by mountain clothing brands, for whom the event serves as an ‘Alpine Fashion Week’. Each brand presents its new collections, unveils limited-edition ranges and organises a host of activations to maximise its visibility: film screenings, meet-and-greets with athletes, product launches, parties and all manner of experiences. Far from being uninteresting or unpleasant, this spotlight on brands and styles nevertheless clashes with the mountain culture that once prevailed.

This editorial piece juxtaposes contemplative photographs with demonstrative, overwhelming images.